There are lots of ways to write a book. When I was a brand new writer, I had an idea and I sat down and wrote. A month later I had my book and I started on the next. The more I delved into the world of writing the more I realized that people had different ways to write their books. Writers tend to fall into three camps.
They:
1. Plot - where the writer thinks about his or her characters beforehand and has a framework in place before they start writing. They know the turning points, what happens in the black moment of the book and how everything is resolved. There are advantages to this method because any plot problems are caught right at the start before any time is wasted. Events can be foreshadowed because you, the writer, know what’s going to happen. A disadvantage of preplotting is that some of the spontaneity is lost and a tightly plotted book can feel like a steel cage after a while.
2. Pantser or Fly-into-the-mist - the writer might start with a vague idea or a starting scene and they sit down and start writing with no idea about what will happen next. For this type of writer, life is full of surprises, but it can also be full of pitfalls if your plot takes a sudden wrong turn or you write yourself into a corner.
3. A combination of the two - the writer might nail down her conflicts before she starts but the framework of the plot isn’t set in stone.
As I mentioned earlier, I’m in the number two camp or I was. I’ve found that now I’m published editors want to know what is happening in my story, mostly before I’ve completed the book. I’ve had to adapt the method that works for me and actively try to plot a little more. I’ll admit, I find this difficult.
Recently I took an online class through Passionate Ink on storyboarding with the wonderful Shelley Bradley. Storyboarding is where you have a large poster-sized board plus different colored post-it notes and use these to plot out your stories. The beauty of this method is that it’s very visual and therefore it’s easy to construct your book. You know roughly where the turning points are in your story and with post-it notes it’s easy to shift things around if necessary. That’s a very basic description. I’m sure Shelley is doing more classes in storyboarding and I’d recommend you check them out. I found it really interesting, and if I’m honest, a little scary to my freewheeling ways, but I have my supplies - my posterboard and a pile of post-its - and my notes. I’m all ready to plot once I’ve finished my current story.
Are you a plotter? A fly-into-the-mist writer? Or something in between? Have you tried storyboarding? How long did it take you to work out which camp you belonged in? If you have any advice or comments on plotting I’d love to hear them.